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Sci-Fi Channel - Sci-Fi's Greatest Hits, Vol. 1: Final Frontiers

Sci-Fi Channel - Sci-Fis Greatest Hits, Vol. 1: Final Frontiers
  • List Price: $17.98
  • Buy New: $6.36
  • as of 5/23/2012 21:30 EDT details
  • You Save: $11.62 (65%)

New (22) Used (18) from $1.43
  • Seller:New York Music & Movies
  • Format:Soundtrack
  • Media:Audio CD
  • Discs:1
  • Shipping Weight (lbs):0.2
  • Dimensions (in):5.6 x 5 x 0.5
  • Release Date:December 1, 1998
  • UPC:001658119502
  • EAN:0016581195028
Availability:Usually ships in 1-2 business days

Tracks
  • 2001: A Space Odyssey - Main Title - The Seattle Symphony
  • Star Wars - Main Title - National Philharmonic Orchestra/Charles Gerhardt
  • The Empire Strikes Back
  • Return Of The Jedi - National Philharmonic Orchestra/Charles Gerhardt
  • Star Trek - Sci-Fi's Greatest Hits 1 - Final Frontiers
  • Star Trek: The Next Generation - Sci-Fi's Greatest Hits 1 - Final Frontiers
  • Lost In Space (1965 TV Theme)
  • Lost In Space (1967 TV Theme)
  • Lost In Space (Film Theme)
  • Battlestar Galactica
  • Space: 1999
  • Buck Rogers In The 25th Century
  • Babylon 5
  • The Black Hole
  • Alien
  • The Abyss
  • Voyage To The Bottom of the Sea (TV)
  • Journey To The Center Of The Earth
  • Land of the Giants
  • Planet of the Apes
  • Time Tunnel
  • Fireball XL-5
  • Dr. Who
  • Stargate
  • Total Recall
  • Blade Runner
  • Tron
  • Strange Days
  • VR.5
  • Space Above & Beyond
  • Inside Space
  • Welcome to Paradox
  • Mission: Genesis


Editorial Reviews:
Synopsis
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Amazon.com
This first installment of Sci-Fi's Greatest Hits opens, appropriately, with two famous pieces, "2001: A Space Odyssey" (a.k.a. the prelude to Strauss's Also sprach Zarathustra) and "Star Wars" (a.k.a. John Williams's variation on Holst's The Planets), and further mines film and TV history for interstellar anthems. Much of this stuff is predictable; different selections from films like The Black Hole and Blade Runner would have been more interesting. Yet there are diamonds in the rough, including the eerily disjointed theme to Planet of the Apes, the psychedelic electronic swirl of Dr. Who, and the squealing strings of Alien (before such a concept became cinema cliché). This is a decent dedication to those brave souls exploring the furthest reaches of space. --Bryan Reesman

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